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THE VELVELETTES - These Things Will Keep Me Loving You


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Tags: NORTHERN  R&B  SOUL  
Channel:
Music
Uploaded: December 31, 1969 at 6:59 pm
Author: MusicMeanMachine
Length: 02:58
Rating: 4.00
Views: 1279
"THESE THINGS WILL KEEP ME LOVING YOU" - Released 1966. THE VELVELETTES were founded in 1961 by sisters Carolyn and Millie Gill with cousins Bertha Barbee-McNeal and Norma Barbee (both from Flint, Michigan) on the Western Michigan University campus, where they were students. Carolyn's friend Betty Kelly was also an original member. The group signed to Motown Records, but were not given top priority, as other female vocal groups were attracting audiences and recording hits. They recorded with Motown during 1963 although none of the material was released by Motown during that year. However, Motown allowed two of the recorded tracks "There He Goes" and "That's The Reason Why" produced by William Stevenson to be leased to the IPG label (Independent Producers Group) as as single. While the group awaited their chance at stardom, they recorded backing vocals for more established Motown girl groups, including The Marvelettes, Martha and the Vandellas, and The Supremes. The Velvelettes got their break in 1964 thanks to young producer Norman Whitfield, who produced "Needle In A Haystack" as a single for the group, on Motown's VIP subsidiary. "Needle In A Haystack" peaked at number 45 on the Billboard Hot 100 in mid-1964. The group recorded its follow-up, "He Was Really Sayin' Somethin'", with Whitfield again producing, and spent time on various Motown-sponsored tours as an opening act. In late 1963 or early 1964, Betty Kelly left the group to join Martha and the Vandellas, replacing Annette Sterling. The Velvelettes continued as a foursome, with various members leaving and rejoining, as family matters dictated. With a song on the charts and a place on several concert tours, The Velvelettes began recording an album. Despite burgeoning success, the members of the group began to disagree about the music they were recording. Half wanted to record more mature songs and thought the material was trite, while the other half didn't want to rock the boat so early in their career. By 1965, all the original members, save Carolyn, had left. By 1966 Caldin Gill was the only original member left in the Velvelettes, Anette McMillian and Sandra Tille (who would become a Vandella by late 68 or early 69) were the newest members, "These thing's" would be the groups last single altho they recorded for motown till about 1969.Carolyn recruiting two new members, Sandra Tilley and Annette MacMillan. Motown became apprehensive about the group's potential, and wary of the expense of the recordings. Not wanting to let good time and money go to waste, the label released two additional singles, "Lonely Lonely Girl Am I" and "A Bird In The Hand". Both singles flopped, and Motown cancelled the scheduled release of the group's eponymous debut album. The Velvelettes returned to recording backing vocals, and occasionally were able to record new material for themselves. The last Velvelettes recordings included "These Things Will Keep Me Loving You", which became their last American single. It dented the R&B charts. Sandra Tilley left the group to join Martha Reeves and the Vandellas, replacing Rosalind Ashford, and the group gradually split apart. Lead singer Carolyn "Cal" Gill married future Temptation Richard Street in November 1969, and The Velvelettes officially broke up in early to mid 1970. In 1971, "These Things Will Keep Me Loving You" became a hit in Great Britain, (R&B #43, UK #34). Despite the new success, the group didn't reunite until 1987, when the Gill sisters and Barbee cousins re-recorded their original hits with some new songs for the album One Door Closes for Motorcity Records. The group continues to tour today. In 2006, The Velvelettes contributed to the double CD "Masters of Funk, Soul and Blues present A soulful tale of two cities". Detroit stars such as Lamont Dozier, Freda Payne, George Clinton and Bobby Taylor recorded remakes of classic soul songs from Philadelphia International Records. The Velvelettes sang "One of a kind love affair" by The Spinners. The other CD featured Philly stars such as Jean Carne, Bunny Sigler, Ted Mills or Jimmy Ellis doing Motown classics.

Video Comments

markmillionaire (December 31, 1969 at 6:59 pm)
Awesome, Keep GoingDefinately Keep Sharing
MusicMeanMachine (December 31, 1969 at 6:59 pm)
Please feel free to send these wonderful ladies the link ,,,,,,,,, and yes, I'm working on another remix :)
theboyfromxtown (December 31, 1969 at 6:59 pm)
Can you mix the two alternate lead vocals into one song. That would be cool for me.Do you mind if I send this link to the ladies themselves
theboyfromxtown (December 31, 1969 at 6:59 pm)
Sorry I can't as I don't know how to upload from vinyl
MusicMeanMachine (December 31, 1969 at 6:59 pm)
Are you able to post Jnr. Walker's version please "theboyfromxtown"?
Goldenoldies4ever (December 31, 1969 at 6:59 pm)
Well I like it and think you made a great version of the song! I love The Velvelettes, thye are sooo underrated.
MusicMeanMachine (December 31, 1969 at 6:59 pm)
Well, I admit that I've "slightly" altered and added to this track, as I have done with many (but not all), of the tracks I've posted on YouTube. I realise that not everyone will appreciate me doing this to classics like this, but hey, it's fun, and occasionally (just occasionally), it kinda works. I have every intention of "doing" a longer mix of this sometime.
Goldenoldies4ever (December 31, 1969 at 6:59 pm)
Hey does anyone that is alternate version of the song?? I never heard this version before and its great!!! Where is it from??
theboyfromxtown (December 31, 1969 at 6:59 pm)
Sorry but I am one who considers the Velvelettes produced the best version of this song followed by Junior Walker.
boortztoo (December 31, 1969 at 6:59 pm)
I have practically every Motown recording there is and it's very odd that this version didn't appeal to me and I've rarely played it over the years. Many years later I got their album that was produced by Ian Levine and absolutely fell in love with their version of this song on that album. It's the one & only time that I can think of where I found a version produced by Ian Levine superior to the Motown original & have played it until repeatedly and never tire of it.

 

 

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